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A Week in Kansai! (Part 3, Kobe/Osaka/Kyoto)

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Dontonbori 16mm, ISO 200, f/2.8, 1/25

Dontonbori in the Rain
16mm, ISO 200, f/2.8, 1/25

Though this post comes in a week after I intended to publish, I’ve finally come to the end of editing and captioning my series of photographs from my week-long vacation in Kansai! Even looking back over a month ago, the places visited and experiences I had are still very vivid in my memory. Every time I look back at my photos, I want to go back, or even explore new places here in Japan. It’s great that long distance buses are cheap here for weekend trips!

In my last few days in Kansai, I got to check out the port town of Kobe, enjoyed a mostly-indoor rainy day in Osaka, and wandered around a couple of the massive temples in Kyoto. I wasn’t as trigger happy with my camera these last days, though combined, this post has 70 photos in all. So with that said, let’s do a little exploring around Japan, shall we?

First up, I visited Kobe, a sprawling port city that has pockets of fun things to do and see. For photographs, I had a few good places planned out, but my real reason for going was to try an authentic Kobe Beef steak, just to see if it lives up to the hype (it completely does, by the way).

Right outside the Shin-Kobe station, I got a bit distracted on my way to the Nunobiki Herb Gardens at a small park.

Chasing 105mm, ISO 100, f/2.8, 1/1250

Chasing
105mm, ISO 100, f/2.8, 1/1250

Passing Fountain 105mm, ISO 100, f/5.6, 1/320

Passing Fountain
105mm, ISO 100, f/5.6, 1/320

Just a short walk away I found the ropeway to make the long ascent to Mount Rokko. Camera in hand, I snapped a few of the views on the way up.

Going Up! 16mm, ISO 100, f/5.6, 1/400

Going Up!
16mm, ISO 100, f/5.6, 1/400

Nunobiki Waterfall 105mm, ISO 100, f/5.6, 1/400

Nunobiki Waterfall
105mm, ISO 100, f/5.6, 1/400

Gohonmatsu Dam 105mm, ISO 100, f/5.6, 1/400

Gohonmatsu Dam
105mm, ISO 100, f/5.6, 1/400

From Above 105mm, ISO 100, f/5.6, 1/400

From Above
105mm, ISO 100, f/5.6, 1/400

At the top, visitors can walk around a plaza-like area with gift shops and a little cafe before making their way down through the gardens. The view of Kobe from this location is also pleasant, and compresses nicely on a telephoto lens!

Glass House and Kobe 105mm, ISO 100, f/5.6, 1/1600

Glass House and Kobe
105mm, ISO 100, f/5.6, 1/1600

Top Rest Area 16mm, ISO 100, f/2, 1/4000

Top Rest Area
16mm, ISO 100, f/2, 1/4000

After a small walk around I began my descent and made a stop at the Glass House, a large structure filled with many greenhouses, a couple cafes, and a small herb museum.

Unity 16mm, ISO 100, f/5.6, 1/400

Unity
16mm, ISO 100, f/5.6, 1/400

Pygmy Banana Tree 16mm, ISO 100, f/2, 1/100

Pygmy Banana Tree
16mm, ISO 100, f/2, 1/100

Love 16mm, ISO 100, f/5.6, 1/80

Love
16mm, ISO 100, f/5.6, 1/80

Pitcher Plant 16mm, ISO 100, f/2, 1/50

Pitcher Plant
16mm, ISO 100, f/2, 1/50

Old Timey 16mm, ISO 100, f/2.8, 1/30

Old Timey
16mm, ISO 100, f/2.8, 1/30

Distraction 16mm, ISO 100, f/2.8, 1/125

Distraction
16mm, ISO 100, f/2.8, 1/125

With it being summertime, not many flowers were in bloom, so most of the gardens were either past their prime or not ready yet for late summer/early fall colors. This made it nice as far as a non-crowded walk down the mountain, though it didn’t afford too many photo opportunities. Midway down the mountain the hiking path was closed so I hopped right back on the ropeway and headed downtown.

Four Seasons Garden 16mm, ISO 100, f/5.6, 1/400

Four Seasons Garden
16mm, ISO 100, f/5.6, 1/400

Nunobiki Falls and Kobe 16mm, ISO 100, f/5.6, 1/500

Nunobiki Falls and Kobe
16mm, ISO 100, f/5.6, 1/500

A short 2 kilometer walk put me into downtown and right inside Sorakuen, a well-maintained traditional garden open to the public since 1941! Housed entirely in a compact city block, the garden sits right among modern buildings to provide a stark contrast with its traditional style. It makes for a nice challenge to try to get a photograph that contains the least amount of extraneous buildings.

Sorakuen Entrance 16mm, ISO 100, f/5.6, 1/800

Sorakuen Entrance
16mm, ISO 100, f/5.6, 1/800

Pond and Boathouse 16mm, ISO 100, f/5.6, 1/250

Pond and Boathouse
16mm, ISO 100, f/5.6, 1/250

Hassam House 16mm, ISO 100, f/5.6, 1/250

Hassam House
16mm, ISO 100, f/5.6, 1/250

Alcove 16mm, ISO 100, f/2.8, 1/60

Alcove
16mm, ISO 100, f/2.8, 1/60

Dirt Bridge 16mm, ISO 100, f/5.6, 1/250

Dirt Bridge
16mm, ISO 100, f/5.6, 1/250

Great Tree 16mm, ISO 100, f/5.6, 1/400

Great Tree
16mm, ISO 100, f/5.6, 1/400

Maintenance 105mm, ISO 100, f/2.8, 1/400

Maintenance
105mm, ISO 100, f/2.8, 1/400

Passage 16mm, ISO 100, f/5.6, 1/60

Passage
16mm, ISO 100, f/5.6, 1/60

Encased 16mm, ISO 100, f/5.6, 1/50

Encased
16mm, ISO 100, f/5.6, 1/50

As the evening set in, it was Kobe Beef time, and I found my restaurant near Kobe’s own little Chinatown. After this? It was all food, and no camera!

Little Chinatown 16mm, ISO 100, f/5.6, 1/200

Little Chinatown
16mm, ISO 100, f/5.6, 1/200

The next day forecast rain for the entire Kansai area. Not wanting to waste any of my vacation time due to bad weather, I took to Osaka Aquarium to begin the day. Though most of the exhibits are low-light and behind glass, I still made some photographs along the way down the 7-floor aquarium.

Sea Otter 105mm, ISO 400, f/2.8, 1/80

Sea Otter
105mm, ISO 400, f/2.8, 1/80

Sea Lion 105mm, ISO 400, f/2.8, 1/125

Sea Lion
105mm, ISO 400, f/2.8, 1/125

Capybara 105mm, ISO 200, f/2.8, 1/100

Capybara
105mm, ISO 200, f/2.8, 1/100

Ring-tailed Cotti 105mm, ISO 800, f/2.8, 1/60

Ring-tailed Cotti
105mm, ISO 800, f/2.8, 1/60

Emperor Penguin 105mm, ISO 400, f/2.8, 1/160

Emperor Penguin
105mm, ISO 400, f/2.8, 1/160

Sea Horse 16mm, ISO 400, f/2, 1/80

Sea Horse
16mm, ISO 400, f/2, 1/80

Sea Turtle 16mm, ISO 800, f/2.8, 1/60

Sea Turtle
16mm, ISO 800, f/2.8, 1/60

Spider Crab 16mm, ISO 1600, f/2.8, 1/60

Spider Crab
16mm, ISO 1600, f/2.8, 1/60

Deep Color 16mm, ISO 1600, f/2, 1/60

Deep Color
16mm, ISO 1600, f/2, 1/60

Arctic Entrance 16mm, ISO 400, f/2.8, 1/250

Arctic Entrance
16mm, ISO 400, f/2.8, 1/250

Rockhopper Penguin Squabble 105mm, ISO 400, f/2.8, 1/160

Rockhopper Penguin Squabble
105mm, ISO 400, f/2.8, 1/160

Osaka Aquarium Facade 16mm, ISO 100, f/5.6, 1/25

Osaka Aquarium Facade
16mm, ISO 100, f/5.6, 1/25

For the afternoon, I stowed the camera away and enjoyed some time in the local Taito Station, a relatively mainstream arcade hub that can be found in most Japanese cities. As night fell, I made my way to Dontonbori, a well-known tourist hub filled with shops, restaurants, and neon advertisements galore! As a self-proclaimed foodie, I had a smorgasbord of choices available and sampled many of the local eateries (and yes, of course I got green-tea ice cream before the night was over!).

Dontonbori 16mm, ISO 800, f/2.8, 1/100

Dontonbori
16mm, ISO 800, f/2.8, 1/100

The Glico Board 16mm, ISO 100, f/4, 1/30

The Glico Board
16mm, ISO 100, f/4, 1/30

Rounding up the tail-end of my trip, I headed to Kyoto the next day. I set my sights on climbing Mount Inari, but made a stop at Tofoku-ji first to experience some old-fashioned Zen. As I walked along Kamo River, I came across dozens of stacked stone towers in the riverbed. Some reached as high as 4 feet and were so precariously balanced I did not dare go near. However, there were a couple that seemed a bit more stable for me to catch some photos. Afterwards, I added my own stone to a tower (and almost knocked the whole thing down in the process…).

Riverside 16mm, ISO 100, f/2, 1/3200

Riverside
16mm, ISO 100, f/2, 1/3200

Balance 105mm, ISO 100, f/2.8, 1/2000

Balance
105mm, ISO 100, f/2.8, 1/2000

Rock towers aside, Tofuku-ji’s dual temples held some amazing views and peaceful rest areas.

Tofuku-ji Approach 16mm, ISO 100, f/5.6, 1/400

Tofuku-ji Approach
16mm, ISO 100, f/5.6, 1/400

Checkered 16mm, ISO 100, f/5.6, 1/125

Checkered
16mm, ISO 100, f/5.6, 1/125

Shades 16mm, ISO 100, f/5.6, 1/250

Shades
16mm, ISO 100, f/5.6, 1/250

Approach to Saishokongoin 16mm, ISO 100, f/5.6, 1/250

Saishokongoin Approach
16mm, ISO 100, f/5.6, 1/250

Waves 16mm, ISO 100, f/5.6, 1/400

Waves
16mm, ISO 100, f/5.6, 1/400

Pathway 16mm, ISO 100, f/5.6, 1/500

Pathway
16mm, ISO 100, f/5.6, 1/500

Structured 16mm, ISO 100, f/5.6, 1/500

Structured
16mm, ISO 100, f/5.6, 1/500

Palette Swap 16mm, ISO 100, f/5.6, 1/40

Palette Swap
16mm, ISO 100, f/5.6, 1/40

Small Valley 16mm, ISO 100, f/5.6, 1/160

Small Valley
16mm, ISO 100, f/5.6, 1/160

Kaizando 16mm, ISO 100, f/5.6, 1/250

Kaizando
16mm, ISO 100, f/5.6, 1/250

Kaizando 16mm, ISO 100, f/5.6, 1/250

Kaizando
16mm, ISO 100, f/5.6, 1/250

Runoff Stream 16mm, ISO 100, f/5.6, 1/40

Runoff Stream
16mm, ISO 100, f/5.6, 1/40

Covered Pathway 16mm, ISO 100, f/5.6, 1/40

Covered Pathway
16mm, ISO 100, f/5.6, 1/40

As the skies darkened I had a feeling my time on Mount Inari would be rained out. But, being the stubborn sandal-wearing photographer I am, I flip-flopped my way to Fushimi Inari Taisha to experience one of the most-visited temples in Japan. Impending inclement weather or not, visitors flocked that day by the hundreds, if not more.

Busy Entrance 16mm, ISO 100, f/5.6, 1/640

Busy Entrance
16mm, ISO 100, f/5.6, 1/640

I knew there were going to be torii gates along the way up to the temple, but I didn’t realize I would literally walk through thousands of the bright red gates on my 2-hour climb to see the top. These torii are paid for by donations from local companies and individuals and cost anywhere from 400,000 yen to 1,000,000 yen depending on the size. The names of the companies and individuals are inscribed on each gate and can be read as visitors descend from the mountain.

Crowded 16mm, ISO 100, f/5.6, 1/13

Crowded
16mm, ISO 100, f/5.6, 1/13

Ascent 16mm, ISO 400, f/5.6, 1/30

Ascent
16mm, ISO 400, f/5.6, 1/30

Looking Back 16mm, ISO 100, f/5.6, 1/15

Looking Back
16mm, ISO 100, f/5.6, 1/15

Kyoto Overlook 16mm, ISO 100, f/5.6, 1/160

Kyoto Overlook
16mm, ISO 100, f/5.6, 1/160

Muted 32mm, ISO 100, f/1.8, 1/40

Muted
32mm, ISO 100, f/1.8, 1/40

Easygoing 32mm, ISO 400, f/2.8, 1/30

Easygoing
32mm, ISO 400, f/2.8, 1/30

The Crooked Top 16mm, ISO 100, f/5.6, 1/25

The Crooked Top
16mm, ISO 100, f/5.6, 1/25

Steady Descent 16mm, ISO 400, f/2.8, 1/25

Steady Descent
16mm, ISO 400, f/2.8, 1/25

Bold 16mm, ISO 800, f/2, 1/30

Bold
16mm, ISO 800, f/2, 1/30

Almost Done 16mm, ISO 400, f/2.8, 1/30

Almost Done
16mm, ISO 400, f/2.8, 1/30

Clustered 105mm, ISO 400, f/2.8, 1/60

Clustered
105mm, ISO 400, f/2.8, 1/60

Dual Path 16m, ISO 400, f/5.6, 1/30

Dual Path
16m, ISO 400, f/5.6, 1/30

With a stroke of luck, the skies barely let any rain fall, and most of the trees and torii caught what little came down. Thankfully the ominous weather made many visitors turn back from their climb so most of the way down the mountain was a peaceful, solo walk. Even as I made it back out to the entrance, many visitors and tourists had completely cleared out. It made for a nice end to a short day in Kyoto!

Cleared Out 16mm, ISO 100, f/5.6, 1/100

Almost Empty
16mm, ISO 100, f/5.6, 1/100

And with that, I am now done with my Kansai trip! This kind of vacation will always be in my memory, and having a camera along for the ride made it that much easier to create even better memories in photographic form. That’s all for this multi-faceted post, guys and gals, thanks for dropping by! I am still playing catch up with some of my photographs in late June, so until then, just sit tight.:) As always, have a great day!



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